HOW TO RECORD OVER A BEAT HOW TO

Any time someone asks me how to make a good beat, I ask them if they know what a chord progression is. The main thing lacking in every amateur beat maker's tracks is a lack of chord changes and song sections. But it's an investment into your business so get it done. You'll literally have to bust out a text book or read online and treat it like school. If anything is going to set you apart, it's this. You know why his beats still bang? Because he knows music theory. Sche in Memphis banging out heaters all day while sequencing on Fruity Loops and still using some default sounds, landing beats for guys like 8 Ball and Al Kapone. Get a core set of sounds you can become familiar with and go from there.

But it also keeps you from having 100,000 sound fonts you can't possibly sort through and choose from. Narrowing your focus to South, West, East, MidWest, or Dubstep, just as examples, can greatly increase your chance of success. Figure out your style and go from there, based on the clientele your focusing on. This means you're going to have to invest in some extras.Дepending on your style, you can get real-deal samples of live instruments, or you can buy classic packs like the 808 set, etc.

HOW TO RECORD OVER A BEAT PRO

They are never good until you hit the Logic Pro or Pro Tools level.

HOW TO RECORD OVER A BEAT SOFTWARE

Sound Fonts and Sample CD'sД®very piece of common software is easily distinguished by it's default sound fonts. Take a look at the Yamaha Motif (pictured above), Korg Triton, or Roland Fantom, all of which were big winners back in my day. This means you could save money and score an outboard sound bank from one of the killer keyboards out there. If you can play the keys at all, any old keyboard is going to have a midi input/output on it that you can control your sounds from. Your options are to either learn how to use a synthesizer or plugin to create the sounds you want (you'll be very limited), or you'll need to start buying and collecting sound fonts and samples. You can take any of your old instrumentals, swap out the sounds, and immediately have a better beat on your hands without changing anything else. Nothing can improve your beats faster than using higher quality samples, one-shots, and sound fonts. Check out these rack sound modules from Yamaha, Korg, Roland, Alesis, and moreвЂ¦ But I'm going to tell you right now, that's not going to cut it. That's why so many people are still rocking the same versions of Fruity Loops and Cool Edit Pro 2 from the mid-90's that was floating around. And as we all know, trying to purchase a piece of software and then upgrading the sound fonts can cost an arm and leg. In all likelihood, you're like me when I got started. Sound Fonts - Magically MakE Better Beats They aren't really optional if you want to make serious scratch, so pay attention. As you read along, really consider you're own situation and think about how to apply these suggestions. Here's how we're going to fix your problem throughout this article, by talking about what makes a good beat:ДЄdd all of these together and you have an equation that will take you up a level, no matter where you're already at. They are doing things with three sounds that you couldn't do with 15, and that's why they are selling exclusives for $100,000 a pop and you're leasing your tracks off of Soundclick for $1.00 per download. I can do that in a heartbeat.' And you've been pumping out simple beats since, because you mistook their simple orchestration for a simple arrangement. Remember back when you first started and thought 'Man, the pro's beats are so simple. Let me put it to you bluntly: Your Beats Are Flat Out Boring (But We Can Fix That) And trust me, everyone can hear that you're using (a bootleg copy of) Fruity Loops. You haven't studied a lick of music theory. The same reason that made you think you could emulate and copycat the greats is the same reason you can't. The problem is that most of these guys simply aren't talented. They are shopping their beats everywhere in hopes that someone will hear their indisputable talent and 'put them on.' Not a lot of them are millionaires or are landing their beats on major label records, and it's not for a lack of trying. If you dig into the online beat making community for even ten minutes you'll realize that a lot of these haters actually attempt to become producers, along with other aspiring instrumentalists who are fans of the genre. I could make this beat! There's nothing to it. Not a day goes by where I don't hear some non-hip-hop listener say something stupid like, 'Listen to this crap.

How to record over a beat